Sunday, 24 April 2016

Bibliography

Websites:
ANON., 2012. 1837-1865 Hairstyles, ladies (early Victorian/civil war)[viewed 13 February 2016]. Available from: https://uk.pinterest.com/furrypetals/1837-1865-hairstyles-ladies-early-victoriancivil-w/ 
BBC, 2011. History - British history in depth: The rise of the Victorian middle class [viewed 18 April 2016]. Available from: http://www.bbc.co.uk/history/british/victorians/middle_classes_01.shtml 
BIRCH, A., 2014. The truth about female Psychopaths, from those who know | [viewed 24 April 2016]. Available from: http://psychopathsandlove.com/the-truth-about-female-psychopaths/ 
ANON., n.d. Chertsey museum [viewed 13 February 2016]. Available from: http://chertseymuseum.org/hair 
DAZED, n.d. Alexander McQueen’s best beauty looks [viewed 24 April 2016]. Available from: http://www.dazeddigital.com/fashion/gallery/19737/2/alexander-mcqueen-s-best-beauty-looks 
Emily Brontë (2016). 
EURDOLIAN, L. and P.C.B. BLOG, 2015. Watch Alex Box create the beauty look backstage at Issey Miyake [viewed 24 April 2016]. Available from: http://prettyconnected.com/2015/10/watch-alex-box-create-the-beauty-look-backstage-at-issey-miyake/ 
FREEDMAN, E. of B., 2014. The origins of the gothic [viewed 18 April 2016]. Available from: http://www.bl.uk/romantics-and-victorians/articles/the-origins-of-the-gothic 
FURNISS, J.-A., 2013. Comme des Garçons spring 2014 ready-to-wear fashion show [viewed 24 April 2016]. Available from: http://www.vogue.com/fashion-shows/spring-2014-ready-to-wear/comme-des-garcons 
Gothic Fiction Wikipedia (2016). 
HARRIS, K., 2015. Victorian Hairstyles: A short history, in photos [viewed 13 February 2016]. Available from: http://www.whizzpast.com/victorian-hairstyles-a-short-history-in-photos/ 
ANON., n.d. Interesting facts [viewed 14 April 2016]. Available from: http://sbalshonorsbritlitbronte.weebly.com/interesting-facts.html 
ANON., 2015. Is broken heart syndrome real? [viewed 14 April 2016]. Available from: http://www.heart.org/HEARTORG/Conditions/More/Cardiomyopathy/Is-Broken-Heart-Syndrome-Real_UCM_448547_Article.jsp#.Vw_qi2NeBZ0 
KOHLER, S., 2010. Edward Cullen and Heathcliff: Why girls love ‘blood-sucking’ men. Huffington Post, 18 March
ANON., 1991. The field guide to the female psychopath [viewed 24 April 2016]. Available from: https://www.psychologytoday.com/blog/insight-is-2020/201508/the-field-guide-the-female-psychopath 
THOMAS, P., 2006. Early Victorian Hairstyles and hats 1840-70 [viewed 13 February 2016]. Available from: http://www.fashion-era.com/hair_hats_184070.htm 
Victorian Era (2016). 
ANON., 2001. Victorian men’s fashions, 1850-1900: Hair [viewed 13 February 2016]. Available from: http://www.victorianweb.org/art/costume/nunn21.html 
ANON., 2001. Victorian women’s fashion, 1850-1900: Hairstyles [viewed 13 February 2016]. Available from: http://www.victorianweb.org/art/costume/nunn10.html 
Wuthering Heights (2009 Television Serial) Wiki (2016). 
ANON., n.d. [viewed 18 April 2016]. Available from: https://en.wikipedia.org/wiki/Queen_Victoria 
ANON., n.d. [viewed 18 April 2016]. Available from: http://BBC(2011) History - British history in depth: The rise of the Victorian middle class. Available at: http://www.bbc.co.uk/history/british/victorians/middle_classes_01.shtml (Accessed: 18 April 2016) 

Films/ Tv Series/ Videos:

The art of gothic: Britain’s midnight hour, 2014 . UK: 
American horror story: Asylum - get committed the experience, 2012 . USA: 
The Revenant | ‘makeup’ Featurette [HD] | 20th century FOX, 2016 . YouTube
Dexter: The First season - witnessed in blood: A true murder investigation, 2007 . USA: 
Alex Box backstage for MAC at Issey Miyake spring 2016 fashion show #PFW, 2015 . YouTube
Wuthering heights - 2009 PBS part 1/2, 2012 . YouTube

Books:
BEAUJOT, A., 2012. Victorian fashion accessories. London: Berg Publishers
BRONTË, E., E. BRONTE and E. BRONT, 1992. Wuthering heights. United Kingdom: Wordsworth Editions
BRYER, R., 2000. The history of hair: Fashion and fantasy down the ages. London: Distributed in the USA and Canada by Antique Collectors’ Club
MARSH, M., 2014. The compacts and cosmetics: Beauty from Victorian times to the present day. United Kingdom: Pen & Sword Military







Evaluation

This term’s project theme was Gothic Horror. As a whole I really enjoyed this theme and learning about all the different types of Gothic meanings and how they can be portrayed via make up and character design. It opened my eyes to the thought that goes into creating a character within a Tv series (for example) and how all the tiny, little details have to be taken into account throughout the whole of the filming. Both parts of the project showed the detail that goes into it. The second part of the project, which was the character design, showed me how much detail has to go into each individual character to make sure that it fits into the storyline. The first part of the project which was the continuity assessment showed me how important it is to take notes and pictures on every little detail that you do to make sure that the continuity is good and the make up and overall image of the character looks the same.
I enjoyed the technical lessons with Sue the most as special effects is something I have never done before. I now have a much better understanding as to what all the different products can do and what they can be used for and how to improve what I already know to make my special effects skills better. Before Sue’s lessons I had never used gelatine or latex before. I found these products to be the most interesting to use throughout the project. The pre made gelatine moulds were my favourite part of special effects as I think they looked the most realistic and were good for continuity. I didn’t enjoy using the latex as I found it very hard to use, however I’m sure with practice I will get better at using it to create different wounds. I would like to try different techniques using latex and gelatine as I found them both hard to use but when used correctly they gave a really good effect and looked really good on camera.
For gothic horror as a whole I looked at various make up artists who did work for Tv programmes such as Dexter, Walking Dead, American Horror Story etc. I found that after I had been taught some basic special effects make up I found myself really looking into detail at the make up on screen on a Tv series or film. I read an article and watched a time lapse of how the special effects wounds were created on Leonardo DiCaprio for the film The Revenant. Sian Griggs and Duncan Jarman were a part of the prosthetics team for the film. It was amazing what they could create on Leo to make him look like a completely different character. When it came to designing my characters based on the Tv series Dexter I knew I wanted to include blood because Dexter is a blood splatter analyst in the series. I came across work that Alex Box did for a Issey Miyake show late last year where she used MAC pigments and a water based mixing medium with a straw to create a splatter, blown out water colour effect around the eyes. I was really inspired by this as I knew I wanted to include something like that on my characters face, so i tried different tools and products to see how I could create a similar effect. I ended up using a toothbrush and brushes with different densities to create different textured splatters on the face influenced by the work done by Alex Box where she used straws to create her desired effect.
The part of the project that went best for me I think was the continuity assessment. I really enjoyed working with my model Josh to create a look based on the Wuthering Heights character, Heathcliff. Coming up with the look was really fun as we could use any of the techniques we learnt in class with Sue to try and create a character based on what we had read in our chosen novels. Creating one look and then having to recreate it a week later for continuity was a massive challenge as we had never done anything like that before but I enjoyed trying to create the exact same make up and hair look using my notes and images I took of the previous weeks. I think I did well with achieving the continuity in the 2 looks I did and I thought they were very similar for my first ever go of trying to recreate the same character look.

The only problems I had during the project were issues with shooting my final images for Claudia and Mrs Laderman. At the time of shooting the studios in the university were fully booked so I didn’t have the option of shooting in a studio with a large space. I had to use one of the smaller beauty booths upstairs which limited what I wanted to do lighting wise and I didn’t have the correct equipment that I would have had in the larger studios. I also had an issue with models, unfortunately one of my models fell ill at the time I wanted to shoot so I had to find someone quickly to replace her. The images for the Mrs Laderman shoot didn’t come out as well as I wanted them too at all. Next time I will make sure to have a bigger studio so that I have the correct equipment that I need to shoot the best images I can. Although they didn’t go to plan I learnt from my mistakes in the first shoot and when it came to shooting Claudia those images were really good and came out a lot better than I had expected!

Monday, 18 April 2016

Photoshoot call sheet (Mrs Laderman)






Date
14th April 2016

Phoebe Slee

Photo Shoot Call Sheet

Creative Direction: Phoebe Slee
E-Mail: 2sleep61@solent.ac.uk
Phone: 07513438501






Assignment

Modern Gothic Horror- Inspired by Dexter

Location

Photography studio - Southampton Solent University

Concept

Creating a character based on the Tv series Dexter. Claudia has agoraphobia and is afraid of the outside world. She stays in the comfort of her own home but still manages to be a successful serial killer with the help of her neighbour Mrs Laderman who lures victims into Claudia's home and then lets her torture them like scenes from horror movies that she fantasises about. Mrs Laderman is a regular woman living in a neighbourhood surrounded by friends. She is seen as a motherly figure to all in her neighbourhood which is why noone has any idea about her helping Claudia commit murders. She lures in the victims by changing her personality and appearance to fit the scene and environment around her.

Technical Requirements

- Canon 550d
- Beauty dish
- White background



Mood board






Timeline:

9:30pm
Model and team meet.
10-11pm
Make-up up and Hair , 
11:30pm-12:30pm
discuss shoot brief, set up lighting &
Shoot time
12:30pm-12:45pm 
Break down set, tidy away kit, pack clothes.  Clean up.

Team:

Make-up and Hair Artist; Phoebe Slee
E-mail: 2sleep61@solent.ac.uk
Phone: 07513438501
Photographer: Phoebe Slee
Phone: 07513438501
Model 1: Liv Purcell
E-mail:
Phone

Photoshoot call sheet (Claudia)






Date
17th April 2016

Phoebe Slee

Photo Shoot Call Sheet

Creative Direction: Phoebe Slee
E-Mail: 2sleep61@solent.ac.uk
Phone: 07513438501






Assignment

Modern Gothic Horror- Inspired by Dexter

Location

Kitchen window ledge- Deanery student residence

Concept

Creating a character based on the Tv series Dexter. Claudia has agoraphobia and is afraid of the outside world. She stays in the comfort of her own home but still manages to be a successful serial killer with the help of her neighbour Mrs Laderman who lures victims into Claudia's home and then lets her torture them like scenes from horror movies that she fantasises about.

Technical Requirements

- Canon 600d
- Natural lighting
- 85 mm lens


Mood board






Timeline:

2pm
Model and team meet.
2:15-3pm
Make-up up and Hair , 
3:15pm-4pm
discuss shoot brief
Shoot time
4pm-4:15pm 
Break down set, tidy away kit, pack clothes.  Clean up.

Team:

Make-up and Hair Artist; Phoebe Slee
E-mail: 2sleep61@solent.ac.uk
Phone: 07513438501
Photographer: Phoebe Slee
Phone: 07513438501
Model 1: Ellie Nevill
E-mail:
Phone

Final images for Claudia

Claudia photoshoot









Mrs Laderman has brought Claudia another victim. Claudia has just finished torturing the victim and has sent Mrs Laderman out again to find another. The blood splatters on her face were where she tore an artery and the blood gushed out right into Claudia and Mrs Laderman's face. Claudia is patiently waiting for her next victim to arrive. But because she is afraid of the outside, she sits on her window ledge and watches Mrs Laderman lure people in. She has this look of accomplishment on her face and feels proud of herself because of what she has achieved. 

Tools used:
- Canon 600d 
- 85mm lens
- Natural lighting


Final images for Mrs Laderman

Mrs Laderman Shoot






Mrs Laderman has just lured in her next victim for Claudia and whilst she is torturing her, Mrs Laderman is holding her down so that she cannot get away. The blood splatters on her face occur as Claudia tears into an artery and blood flys everywhere. The helpless victim covered in blood tries to grab Mrs Laderman to help get herself out of the situation, this is how the finger dragging marks get on her face. Mrs Laderman tries to stay clean but the victim has caused her to get blood all over herself.


Tools used:
- Canon 550d & regular lens
- Beauty dish
- White background
- Studio

Sunday, 17 April 2016

Chosen models: Claudia & Mrs Laderman

Claudia: Ellie Nevill

Age: 20
Hair type: Thick, Medium length, Dyed dark brown
Skin type: Normal - Dry
Skin tone: Fair
Eye colour: Hazel
Notes: N/A

Mrs Laderman: Liv Purcell


Age: 19
Hair type: Thin, Long dark brown hair
Skin type: Combination
Skin tone: Light - Fair
Eye colour: Green
Notes: Some dry areas of eczema